The Stone Seeker: A Myth of the Wandering Soul

October 2, 2025

A departure from my usual posts — this one takes the form of myth, an inner journey written as an allegory. I offer it as a companion to my ongoing stories.

He was called Stavros, which means Cross, and that was his burden — and his path.

One day, in a time that was no time, he heard the silent summons. Not from the sky, but from the pulse within the earth. He set out, carrying nothing but his breath and the ache of questions. He climbed the ancient spine of Sinai without sleep, ascending stone upon stone, as if walking up the ribs of a forgotten god. At the summit, the sun did not answer him — but it showed him he was not alone.

The descent was harder. That is the truth of all peaks. He reached the foot of the mountain and sat by the monastery of Katherine, where silence grows like lichen on old stone. There he met the Gatekeeper — a monk whose heart had fossilised into ritual. Stavros spoke the sacred tongue, but the Gatekeeper did not recognise him. He uttered the Word — “Yunan” — and dismissed him like a leaf blown against the stone walls.

So the Seeker left the sacred walls and returned to the road. It was on this road that he met the Trickster Guide — a Bedouin named Mohamed, who spoke through music and mischief. He offered herbs not for healing but for vision. He rolled a joint while guiding the chariot at great speed. Smoke curled like a serpent toward the heavens, and the desert began to shimmer.

Mohamed showed him the living map: dunes that were coastlines, mountains that were camels in repose. “This is Sinai,” he said, “and there is the Red Sea.” In that moment, the Seeker saw geography become prophecy. The land was not just land — it was a scroll unrolling.

Mohamed led him to a mosque, a café, a grove of planted trees. “We are of the 15 tribes,” the Guide said. “We plant what will shade the unborn.” The Seeker ate with him, drank the dark tea of mystery, and vanished into moonlit streets.

Then came the Labyrinth.

In the night city, he was lost among alleyways, where cats whispered secrets and doors led nowhere. He emerged by chance, or fate, and met the Scribe, who wrote his name in the language of the ancestors. “All men have three names,” said the Scribe, “but only one is true.”

The Seeker travelled again — across waters, under stars, on feluccas that rocked like cradles of time. He met companions with names like runes: Linda, Olga, Shayari. Together they smoked, drank rakii, and watched angels dissolve into the air like incense.

He arrived at a threshold: the City of Columns. There, under a sky bleached of memory, he sat on sand and turned a plastic bottle into a shrine. He waited for a chariot to carry him across the Nile of forgetting. Someone called him “the Greek with eight children,” and he laughed. He had none — and yet carried thousands within him.

Then came the Two Georges.

One was a Potter. One was a Priest of the Inner Fire. They saw in Stavros something he had hidden from himself. “You evoke the honour of Christ in others,” they said. “You wear innocence like armour.” They fed him macaroni and truth. In return, they asked for stories.

And so he spoke.

And in speaking, he remembered.

Dialogue became divination. Each question was a key. Each story a lost scroll. “In dialogue,” said George, “there is living transmission. The book you write is not of ink. It is breath, shared.”

They spoke of the monk on Athos who gave him a stone. “Leave this on the mountain,” he had said. And so Stavros carried it until the burden became a prayer. They spoke of karma, of grace, of gifts that are given but never earned.

Then came the desecration.

He passed through Luxor and saw the sign — McDonald’s, Temple of Luxor Street. The Golden Arches beside eternal stone. He took a photo, not to remember, but to mourn. Some desecrations are not loud. Some come wrapped in convenience.

And still, a stranger in Cairo whispered: “Welcome.” One word, like a flame in the dust.

The Seeker came to understand: giving and receiving were not separate acts. He had received shelter, food, names, music, silence. He had given stories, listening, laughter, witness. There was no accounting. Only flow.

He saw now that the journey had not been from place to place, but from self to soul. He gave before he received. He received before he gave. It was not barter. It was the hidden law.

And then — the Word.

“Sorry,” they said, “is just a word.” But he knew better. The Word began the world. Words held power, memory, vibration. Words could curse. Words could carry. Words could redeem.

He left the stone on the mountain.

He returned carrying only light.


The Fractured Cosmos: Crime and Capitalism Unveiled

December 10, 2024

The monster lives—a being of primal, vestigial flesh, ancient yet evolving. It is our charge to nurture it, to coax its grotesque beauty into full bloom. This is no ordinary monster, for it is not of the material world alone. It embodies all that is untamed within us: the rage, the lust, the fleeting glimpses of transcendence. Our task is not to suppress it but to help it grow, for only through its growth can we understand the fractures within ourselves and the universe we inhabit.

We do not dwell on the petty crimes of the cradle—the foolish missteps of a fledgling species. Such crimes are symbols of a planet still finding its place in the greater cosmic order. They are phases, reflections of a culture struggling to reconcile its roots in the soil with its dreams of the stars. The criminal mind, at its core, is narcissistic—a mirror too focused on itself to see the vastness beyond.

But even as we wrestle with our own shadows, the angelic influence stirs the heavens. It is said that once, in an act of rebellion or grace, an angel threw the moon toward the Earth, setting it into motion. The tides rose, the rhythms of life were born, and yet, with this gift came the seeds of discord. Every cycle of creation invites a counterforce, and we now stand at the precipice of The Last Days, where the battle lines are drawn between mammals and machines.

The Pole Shift looms on the horizon, a magnetic upheaval echoing the chaos within. It is not just a geophysical event but a metaphor for the inversion of values, the tilting of the moral axis. What was once revered is now reviled, and what was once reviled is now celebrated. This shift connects to the crimes of our age, each a wound inflicted upon the fabric of existence.

Crime and Capitalism: are they one and the same? The boy who stole from the computer hackers their gift of hacking—was he a criminal, or was he simply redistributing stolen fire? Capitalism, with its rising tide of insecurity, extracts not just the essence of labour but the very essence of the sea, of the Earth, of the soul.

The Flower-Telepathic Computer: a marvel of sentience and sensitivity, it blooms in the minds of those who dare to connect. Yet, its very existence exposes a cascade of crimes—against family, against nature, against space and time. What is the theft of a wallet compared to the theft of an epoch? What is a lie told to a friend compared to the lies encoded into the nervous system of our galaxy?

Holo-Crime: crimes against the holographic unity of the one. These are the incursions into the sacred matter of space, the violations of the thin, shimmering membrane that separates what is from what could be. The maniac who murdered—did he act alone, or was his hand guided by the collective desperation of a species that has forgotten how to dream without violence?

The Essence of the Sea: shell extraction, the taking of the ocean’s soul. As we strip the Earth of its treasures, we strip ourselves of meaning. What rises in its place is a tide not of water but of fear, insecurity, and longing.

The crimes mount, layer upon layer, until they form a tower that scrapes the edge of understanding:

The crime against the family, for it severs the roots.

The crime against nature, for it poisons the soil.

The crime against angels, for it mocks their grace.

The crime against demons, for it denies their necessity.

The crime against the planet, the sun, the nervous system of the galaxy.

Each crime is a fracture, yet within each fracture lies a seed of potential—a lesson, a call to reconciliation. If the monster within us is to grow, if we are to nurture it into something more than the sum of its appetites, we must confront these crimes not as judges but as witnesses. We must see them for what they are: the echoes of a species learning how to wield its power.

And what of Capitalism?

Is it truly the villain or merely the mask we have chosen for our shadow? Like the essence of humanity, the nature of crime is neither fixed nor simple. It is a hologram that reflects the one fractured into infinite pieces. To heal, we must not only piece together what is broken but also embrace the fractures as part of the whole.

In the end, angelic influence will not save us, nor will the machines, nor the rising tide. Only the monster—the raw, unfiltered essence of ourselves—holds the key. To nurture it is to nurture the cosmos, for we and it are not separate. The crimes against the sun, the moon, the Earth, and the stars are crimes against ourselves. And in their reconciliation lies our redemption.


The Apple and the Cosmos: A Dance of Reality

December 9, 2024

Before me sits an apple, ordinary yet radiant, its waxy surface catching a sharp glint of light from a lamp above. It is tangible, immediate—its crispness confirmed as I lift it to my lips, its flavour vibrant and undeniably real. Beside it rests a protractor, leaning against a globe, and an astrological chart sprawled across my desk. These objects—tools of measurement and mapping—whisper of realities far removed from the apple’s tangible presence. The apple anchors me in the here and now while the instruments gesture toward the distant, the abstract, the infinite.

The apple is a feast for the senses. I can touch it, taste it, smell it, and see it. Though its atoms appear tightly packed, they are, in truth, vast spaces of energy and vibration. Magnify one of its atoms, and its solidity dissolves into a void where particles exist only as probabilities, dancing in fields of energy. Yet, this solid illusion sustains my bite, my taste, and my knowing.


The horoscope beside it lacks the apple’s tangibility. It cannot be bitten or held, but it represents something equally profound: a symbolic map of the cosmos. Where the apple’s reality is immediate, the horoscope projects patterns of meaning across time and space, binding celestial rhythms to the human story. These two things—apple and horoscope, immediate and archetypal—remind me that reality is both seen and imagined, both concrete and infinite.


This paradox of perception defines our existence. The apple, so close I can taste it, is not as solid as it seems. And the stars, so distant their light has travelled for millennia to reach me, are not as unreachable as they seem. Between the apple and Alpha Centauri lies an unfathomable gulf, yet they are part of the same web of existence, bound by the laws of physics and the rhythms of the cosmos.


Newton, watching the fall of an apple, saw the invisible thread connecting Earth and sky. Einstein deepened this insight, showing that space and time are inseparable and that matter and energy are two forms of the same thing. Quantum physics has unravelled the idea of separateness, revealing that particles are not isolated entities but relationships—waves of possibility collapsing into form through interaction.


David Bohm’s theory of implicate order expands this vision further, suggesting that the universe is a seamless whole where every fragment reflects the entirety, like a hologram. In a hologram, each fragment contains the whole image, even when divided into pieces. Similarly, the universe is encoded in every part of itself. The apple before me is not merely an apple; it is a microcosm of the cosmos, its atoms vibrating with the same energies that fuel the stars.


The horoscope, too, speaks to this interconnectedness. It is not about planets and rocks but about relationships, patterns, and cycles. The zodiac mirrors the rhythms of life, like the apple tree that blossoms, bears fruit, and eventually returns to the Earth. The horoscope encodes the rhythms of the cosmos in symbols, reminding us that the patterns above are reflected in the patterns within.


This interconnectedness challenges the illusion of separation. The apple and the stars, the immediate and the eternal, are not opposites but facets of the same reality. Our senses, while invaluable, reveal only a sliver of the whole. Light, for instance, is just one octave in a vast electromagnetic spectrum, and beyond the visible lies a universe of energies—X-rays, gamma rays, cosmic rays—that remain unseen but ever-present.


Similarly, the frameworks of language and culture limit how we perceive and interpret the world. But within these limits lies a profound truth: we are not separate observers of the universe; we are participants in its creation. As physicist John Wheeler suggested, the act of observation itself shapes reality, collapsing waves of probability into patterns of existence. Our consciousness, like a hologram, reflects the universe within it.


The apple before me, the stars above, and the chart on my desk are all threads in this web of unity. The apple speaks of immediacy, the stars of eternity, the chart of the connections that bridge the two. At this moment, I recall a walk in an orchard with my father years ago. He handed me an apple, freshly picked, and told me to hold it carefully as though it contained the world. I didn’t understand him then, but now I see his wisdom. The apple was the world, the stars, and myself—all woven together.


So, as I bite into the apple now, tasting its crispness and feeling its tang, I know it is real. But I also know that in this simple act, I am connected to the stars, to the atoms that form both fruit and flesh, to the patterns that govern the universe.


In the apple, I taste the infinite, and in the infinite, I find myself.


Secrets Behind Sunglasses: A Poetic Conversation

November 1, 2024

The other day, I spoke with my friend who wore sunglasses, even at night. They were not just any sunglasses; they had thick, tinted lenses that turned his eyes into secrets. He sat in his bamboo chair, curled like an embryo in a second womb, and waited for the silence between songs on the record. When it came, he tilted his head, aiming his gaze—hidden behind the black glass—at me.


“Your passage shows a definite poetic sensitivity, an emotional quality that strikes one—but what does it mean?” he asked, words biting the quiet. “You are trying to communicate?” He leaned on the last syllable of “communicate,” stretching it thin, squeezing it like elegant toothpaste. “Aren’t you?”


I felt the weight of his question sink into my chest, leaving behind a sharp, echoing hollowness. I glanced at the poem I had laid bare on the table between us, exposed like a wound. His words transformed before my eyes into writhing maggots, their white bodies squirming towards the ink. Without thinking, I took off my shoe—a thin, worn sandal—and slammed it down. The thud startled the silence; the maggots burst, leaving wet smears across the wooden surface.


I didn’t speak for a moment. I scraped their remnants into an ashtray, their tiny corpses mixing with the charred remnants of past thoughts and past sins. I dropped my sandal to the floor. He laughed, a dry, brittle sound that cracked in the dimness. He crossed his legs, the fabric of his pants whispering like a taunt. The damage had been done—a single maggot had escaped my fury and burrowed, unseen, into my ear. I could feel it crawling, tiny feet clinging to the tender skin before settling into the cavity of my heart. It pulsed there, secret and vile. He knew it. His smirk was the proof.


Now I write to pull it out, strand by bloody strand, from my heart. I know that only when I spit it out, stained and gasping, will I be free.


This maggot is unlike the others; it shifts and moulds itself, a grotesque mimicry of thoughts, without shedding its true nature. Later, it transformed as I read Dostoevsky’s The Devils, a cigarette balanced between my fingers and a small, gleaming grain of eternity in the palm of my other hand. Between puffs and between sentences, I noticed that the grain had grown in weight. Kirilov had just explained why man must commit suicide to proclaim his freedom from fear. He was called a madman. I thought he made sense. I looked at my hand and saw that the grain had grown into a crumb. Realizing that Dostoevsky was performing the alchemy in person, I continued to read and commune with him.


The grain in my palm felt heavier, its edges pressing into my skin. My mind wasn’t playing tricks. It had grown into a dense and insistent crumb. I realized then that Dostoevsky had performed this alchemy, transmuting despair into something tangible, a weight that dragged at the fabric of the world. I kept reading, feeling the maggot shift inside me, watching with its eyeless stare as I communed with a man long dead but never silent.


The record ended while the needle turned and turned on the dead wax, and I looked up. My friend still sat there, sunglasses glinting darkly in the thin light, the smirk on his lips a question left unsaid. I inhaled, the smoke and the maggot’s secrets filling me to the brim.

I asked AI to make an image based on the writing. This is it.


Coffee Cup Conquistadors

September 29, 2024

Coffee Cup conquistadors, I have problems of vision in this midnight age. I see the eye of a hurricane within each loss and gain. I lose treasures all day and night through these paper walls. To top it all—gurus don’t come around here no more.

Brothers and sisters, we stand at the edge of civilization, a unified force. As we sipped our coffee, we observed each other’s movements, recognizing the cosmic significance of every gesture. Some of us ascended the mount of Golgotha with reverence, each touch a sacred act. The sober one, Sophie, refers to it as the Skull. Others of us, with spider-leg vision, delicately traversed the coffee grounds, seeing beyond the visible, like the delicate threads of fate. In this shared experience, we are all part of a larger narrative, connected by our observations and interpretations.

We gazed upon a scattered army, initially hazy, but with the valour of conquistadors, we honed in sharply. The porcelain edge of the cup transformed into a precipice. As we peered over, an alien script unfolded, twisting like crystal algae on white china. The white China, akin to the sterile laboratories of Science. The depth of this cup, viewed from the edge, was dizzying, shrouded in mystery. This cup, a vessel of unknown depths, invites us to wonder and contemplate its secrets.

The saucers flew while my cup’s base remained anchored to the tabletop. At the culmination of our exploration, at the far reaches of spider-web logic, a talking salt shaker appeared. “Hey! It’s not as dire as you believe!” it proclaimed, igniting a sense of adventure and discovery.

I thought I saw Lot’s wife, her form engraved upon my forehead, a silent spectre watching from the salt shaker’s voice.

Shapes, shapes danced upon the surface of my cup—who’s the best survivor of them all? The ones who reach for the North Pole? The ones who head for the South? The ones who climb to the roof of the world? Or the ones who dive for the floor? Is it we, the coffee brigade, stirring life’s bitter brew? With the world’s calibrated spoon, we stir the dissolved sugar cube. The cube is a reminder of the shape we’re locked in. The cube is a symbol of the microchips stirring in the scientific soup of existence.

I see the eye of the hurricane within each loss and gain. I lose treasures all day and night through these fragile paper walls. And to top it all—gurus don’t come around here anymore.