Caught Between Two Worlds

January 17, 2024

The men in suits came first, followed by the bulldozers and trucks, their mechanical growls drowning out any protest from the condemned structures. Porta loos and cranes joined the procession, marking the relentless advance of progress. Each dawn witnessed the sacrificial dismantling of houses, shops, trees, and the remnants of a child’s forgotten doll. Important things reduced to scrap and dust.

Bulldozers, with their steel jaws and insatiable hunger, scraped the remains into chaotic piles of broken bricks, concrete slabs, shattered glass, and discarded newspapers. Dust, stirred by the relentless machines, ascended in a frenzied dance with the breeze. In that corner of Redfern, the air was thick with the debris of destruction, making every breath a challenge for those traversing Young Street.

For over three months, the denizens of Athena’s street side waged a daily war against the invading sand and dust, a ceaseless barrage from across the street onto their doorsteps. Wind, an uninvited guest, carried the sandy particles into homes, infiltrating narrow hallways. Improvised defenses, from old towels to tied-together clothes, lined the door cracks in a futile attempt to ward off the invading onslaught.

“Kosta, close it quickly. We don’t want a desert in our house,” Athena commanded as she opened the door, her voice a blend of resignation and defiance. Kosta, facing the growing rock piles, felt the wind blown sand’s prickling embrace against his face and arms. The hallway, a sanctuary turned battleground, resonated with the rhythmic tick, tick, tick of sand grains striking the closed door.

Further down the corridor, George, squatting before the Kriesler radio, issued a hushed command. “Ssshh! I’m looking for Greece.” The radio, a capricious oracle, emitted static, distant voices in tongues unknown. Amid the interference, a muffled sound emerged, giving way to the resonant chimes of a bouzouki. “Oppa! Ellada – Greece!” George stood, his silhouette adorned by speckled gray and black hair, tapping into the heartbeat of his homeland transmitted through the airwaves.

“Even in his singlet, without a shirt, he looks fully dressed,” Athena mused, watching George’s impromptu dance. His arms stretched wide, a silent celebration in the midst of upheaval. A brief exchange of glances, a touch of the moustache, and a nod to the music—communication beyond words.

“I fixed the antennae,” George declared, interrupting the radio’s melodic voyage. Kosta, near the mirrored cupboard, observed the curated collection of cups, saucers, and memories. Framed photographs adorned the top, capturing familial ties spanning continents.

Athena, clutching a photo, ventured into the past. “Do you know what today is, George?” she asked. “Good Friday,” he responded. Tears welled in her eyes as she crossed herself, the photo a bridge to a painful memory. “Today, three years ago, Aliki died.” The room echoed with her grief, and she pointed to a baby in Kosta’s arms, frozen in time. “Three years ago, today, my baby girl died.”

George, now facing the dual challenges of past and present, sought answers. “What did the doctor say?”

“Xenitia – home sickness, that is all,” Athena confessed, her vulnerability laid bare. “I want to go home. I want to be with my family, be able to walk the streets and breathe Greek air!”

Before George could respond, Athena’s anguish erupted in a torrent of words. “VROOM! VROOM! all day, 12 hours a day VROOM! VROOM! The machine pricking my fingers and the boss yelling – FASTER! FASTER! VROOM! VROOM! – I want to go home. I don’t want to sew Akubra hats anymore!”

The room hung heavy with the weight of unspoken dreams and shattered illusions. Athena’s plea lingered in the air, a plea not just for herself but for a family caught between two worlds.


Portal of Enigmatic Shapes

December 29, 2023

The room was dimly lit, the only source of illumination being the soft glow of the street lights filtering through the half-closed blinds. A man sat at a cluttered desk, his fingers dancing with a pen over a blank page. At first, the shapes that came from his fingers were geometrical doodles, spirals that began anticlockwise but ended up snaking clockwise. Now a triangle that grew into a star. The shapes flowed from his pen as if the pen itself inscribed the signs. Still, the scribble continued, now over half the page from the center was filled with shapes and lines.

The stars on the page weren’t even noticeable, only the light blue of the sky ran down the page making a huge teardrop. As he picked up the page with the letterhead, he noticed that the stars had grown a little brighter. He held the piece of paper up to face the window, as he did light streamed through the stars as if they were holes. He touched the spot where a star was, and he knew that it wasn’t a hole. The star, in fact, seemed to radiate more heat. Leaving it on the desk, he picks up the phone and calls Tony. No answer.

He sat down and began to scribble on a piece of paper he found on the shelf. It’s not as if he had a message for anyone in particular. In fact, he didn’t even know how he came to be in this room. The scribbles continued, forming a maze of lines and shapes that seemed to have a life of their own. The room, now filled with a quiet tension, held the secrets of the man at the desk and the enigmatic symbols he was creating. Tony walked in, the door creaking slightly as it opened.

“What’s going on, Joe?” Tony asked, eyeing the chaotic patterns on the paper.

“I don’t know, Tony. It just started. The shapes, the symbols. They won’t stop,” Joe replied, his eyes fixed on the mesmerizing dance of ink on paper.

Tony took a moment to study the page, then looked around the room. “It’s like you’ve opened a portal to another world in here.”

“Yeah, a world of shapes and lines,” Joe mumbled, almost to himself.

The two men sat in silence, watching as the scribbles unfolded. Joe pulled the blinds open. The stars outside the window seemed to pulse with an otherworldly energy, casting an ethereal glow on the room. The air was charged with mystery, and the wall between reality and imagination blurred.

As the night deepened, Joe continued to sketch, and Tony remained, captivated by the unfolding spectacle. The shapes on the paper seemed to tell a story, a story that transcended the boundaries of ordinary existence. The room became a sanctuary of creativity, a realm where the ordinary transformed into the extraordinary.

And so, in the dimly lit room, surrounded by the enigmatic symbols and the soft hum of the city outside, Joe and Tony witnessed the birth of something beyond comprehension, that defied the constraints of the mundane.


Gypsy Bob and the Aussie Dollar Note

December 26, 2023

I found an old Aussie dollar in the drawer. Reminds me of Gypsy Bob and me back at Bob Gould‘s Third World Book Shop on Goulburn Street in Sydney. For a while I was attending Bob Gould’s Socialist Resistance group meetings. Later I met some others who had more of an anarchist bent and I left Resistance. My new friends and I, put out the first and only Yippie paper in Australia, ‘Plague.’ Gypsy Bob was nothing like Bob Gould. Gypsy was a wild character with a silver and purple dyed beard and long hair with glitter. He sported a patchwork coat & trousers crafted from assorted materials. I, on the other hand, dressed plainly, but our ideas clicked.

Gould had Abby Hoffman‘s ‘Steal This Book’ and Jerry Rubin‘s ‘Do It!’ for sale.

As we aimed to stroll out with both books, Gould halted us, asking, “Where do you think you’re going without paying for those books?” Gypsy quipped, “Hey, it says ‘Steal This Book,’ and Rubin’s says ‘Do It!’ so we’re doing it!” Gould retorted, “No way!” I clutched the books, and Gypsy brandished a dollar note, declaring, “Hey, Mr. Socialist, watch me burn this dollar if you don’t step aside!” Mesmerized, I observed as Gould protested, “Don’t burn the money, you hippie!” Igniting his lighter, Gypsy slowly brought the flame to the lifted dollar note. Gould erupted in a frenzy of profanities as we made our escape, books in hand.

I wish I still had ‘Do It’ and ‘Steal This Book.’

Months later, I revisited the shop, the sole source of alternative news and views in Sydney. Gould treated me warmly, asking, “Why’d you get mixed up with those crazy mystic acid heads? You were OK in Resistance.” I replied honestly, “Because it’s more fun than Resistance.”

Pretty dumb, huh? I was just 19.


Words of Wisdom from Kurt Vonnegut about Creative Expression.

March 18, 2023


A Ragman in a Colony of Nudists

November 28, 2019

Here I am, locked in isolation, or so it seems. My isolation is more akin to a ragman in a colony of nudists. If I should remove patchwork labels from my body and forehead I’m afraid I couldn’t bear the darts of recognition. What’s there to recognise? I ask myself almost every second day. The days between I try to remember the question. When I remember, it always begins with the hissing of brain static. It’s not a fit, more like an unfit – a dislodging, a space to hear the static.

So, that’s how it was! Nobody had ever told me how we got here. With the brain static easing, I can feel my family roots and somehow they don’t belong here. I understand now how my ancestors had crossed the Great Ocean and arrived here. That sounds pretty plausible, but there is a problem. Nobody here – not the priest, the teacher, the doctor, the scientist, the politician, the philosopher, the butcher, the baker and the USB stick maker believes there is such a place – beyond the Ocean. This is only half of the problem. The other is that nobody here believes anyone had come from anywhere before. They all believe that they have always been here, from the time of protozoa to the time of silicon cells. Indeed, the prevailing thought of this country is Always Here and Now. I suppose it’s simple logic really, when you consider that if there is no other place than here then how could anybody come from elsewhere. Where is the elsewhere? If you can’t orient this place called elsewhere with a compass, then it can’t exist.

Where is this other place? My old friends used to ask me this at all hours of the night. I believe that they were trying to bring me back to my senses, or should I say back to their senses. They warned me that if I continued on this path I’d discover madness. As if I have any choice in it. I told them, there must be something more significant than the rest of experience otherwise my life is just one dimensional… it lacks relief, the bumps that tell you it’s solid and not just paper. So, what was more significant than anything else in my sphere of attention? So, what’s the use of significance? Does having a meaning make bread taste any better? Would the coffee be better if it was drunk by a saint rather than a monkey? What if I didn’t have any bread or coffee, does meaning, significance make starvation any better?

Whatever it is, I’m heading home – wherever it is. It is difficult to speak freely about this other place because every statement about it rocks the foundation logic of this continent. From the admission of this other place, comes other admissions – through the backdoor, so to speak. These include that which was black is now white, and that the inner is the outer. Indeed, a complete reversal of one’s beliefs. In a world where nothing else exists but itself, the entrance of another place, another world obliterates it.

I know now, my ancestors lived on an island that was destroyed aeons ago. Only a few of the islanders survived the complete submersion. They were the fishermen who being far enough away were not sucked under with their island. The survivors made their way across the ocean waiting for a fortunate wind. Fortunate because without it they’d remain still in the Great Ocean without a home. With a wind they may strike some land, anywhere. They didn’t know where they were headed, only that they were alive and hoping to land somewhere.

Forty days and nights in the wilderness. Forty days and nights it takes for the quickening of a full human form in a womb. Forty days and nights it takes an Orthodox soul to clear up its unfinished business here before it finally leaves its body to become dust. For forty days and nights they rowed, they prayed and thanked the fortunate wind.

The arc of coincidence stretched across angels’ wings. Priests turn their heads to Jerusalem while the fishermen turned with the ocean wind. A fisherman’s ambition is as large as the ocean. When he scans the reddening horizon sometimes he perceives a rhythm of the waves and the pulse of red dwindling in the sunset. He throws away the concerns that like tombstones hang over memories.

And now, here I am, locked in isolation, or so it seems. Goggles won’t protect your vision here, only grace and prayer can.


As I write this ……

September 17, 2009

twitter-snake-handAs I write this and you consider the meaning of what I write I doubt that you will take the factual, scientific way to understand what I write.

The scientific “objective” way dictates that you look at only the empirically observable and measurable to ascertain meaning. This means, taking it “literally” (and this is the only scientific way to take it) that you will look at the scribbles or the type, analyze the chemical constituents of the ink, the angle of pressure of the scribble or the level of impact pressure of the fonts, consider the type of ball point pen, fountain pen, pencil or printer or screen. If you are considering a hand written piece, you will consider the forces that pushed the pen, the fingers attached to the hand. You may perhaps even analyse the skin and the temperature which surrounded the hand when the writing occurred.

In short, you would have looked at all the physically observable items and still would not get to the MEANING. I write, “The sky is blue.” You can verify the statement only after understanding its meaning by looking up at the sky. However, if you only analysed the ink, my fingers and room temperature, you would not get the MEANING.

Now, taking this one step or leap further, perhaps our life is a kind of writing, a kind of story written in flesh and blood and its MEANING is not measured with scientific rulers and scales but something else. Perhaps the lineaments of meaning are drawn between synchronous events, which may be called chance or even coincidence. When does chance, coincidence become synchronicity? It does so when we put in our own individual subjective feeling / understanding to it ie our MEANING.

Science has no place in this sacred space of MAKING MEANING.

Carl G Jung originally wrote the "philosophical" understanding of synchronicity.

Carl G Jung originally wrote the “philosophical” understanding of synchronicity.