
I heard someone laugh
I was washing dishes.
The laugh came from my backyard.
I looked up — and there it was.
A kookaburra calling me out
to say hello!
It’s Carnival Day, and the streets hum with strange music that seems to echo from the cracks in the cobblestones. The sailors sing tunes that rise and fall like waves, their voices rough and gentle, worn by salt and time. Ancient whores lean against faded railings, their sighs heavy with the weight of forgotten desires, watching a day that never ends roll out again like a ragged carpet.
Old men tip their hats to passing dogs and the shrieking children who dart between the stalls. Ladies in feathered boas throw blown kisses from their booths, winking at those who dare catch them. Somewhere in the crowd, a sky pilot—tall and solemn—wraps his arm around his lover’s shoulder, murmuring sweet equations, words of science, as they wander toward the looming shadow of the roller coaster.
“Hey! Hey! Don’t forget your sense of justice!” comes a call from a voice lost in the crowd. It’s Carnival Day, after all, a day for the topsy-turvy, a day where nothing is what it seems.
The ghost train rattles past, its lights flashing garish neon. Round and round, it goes, yet no one can hear the screams of the shadows within. You catch sight of the acrobats now, spinning and turning high in the air, their bodies dangling by invisible threads. You wonder what magic holds them up there—what spell, what curse—yet there’s not even a single hair to show the strain. Your head begins to turn, spinning in rhythm with the world around you, and you wonder what the clown is doing over there, grinning like he knows all the secrets you forgot.
You find yourself seated under the grand old hat, an enormous thing that arches above, draped like a night sky. Its great mast rises from the centre, a pillar of mystery that holds the curtain between this world and the stars. Looking up, you see them—stars peering down with distant curiosity, pinpricks of silver against the carnival’s blaze. Somewhere, you think, there might be a wishing well beneath this hat, deep and endless, catching all the silent hopes thrown up by this crowd.
You wander into the Topsy-Turvy House, tripping over invisible stairs and losing balance in rooms that slope and slide. The electric vibrations of the funhouse hum in your bones, a strange, tingling pulse that you can’t shake. Electronic zombies greet you, their eyes blank but somehow alive, watching you even as you look away.
The laughing clowns are waiting with wide mouths open, eager for you to throw your ball into their gaping grins. You do, and the ball tumbles down, but you lose track of it, forget where it went, though you wish—foolishly, perhaps—for the panda plush on the wall, a silly prize you’re sure will hold you tight.
Nearby, a bearded woman whirls like a storm, her skirts sweeping the air in wide arcs. You see the hammer and bell challenge beside her and step forward, but somehow you miss, though you strike with all your might. Next, a boxer in the ring grabs hold of your toe—he’s a strange one, like a sumo who left his mittens by the dock, his laugh deep and unfathomable. Around you, freaks and fortunes twist and collide, creatures of illusion, like characters from a song half-remembered.
You stumble into the fortune teller’s tent, where the hangman, of all people, sits kissing the feet of an empress. She looks up at you with a knowing smile, and a chill creeps up your spine as the cards—tarot, tarot—whisper among themselves, hinting at secrets you’re almost afraid to hear.
Outside, a clown with a monkey mask offers you flowers, their petals made of bright tinsel and paper. You hand him your last coins, and he smiles, ringing a small bell that echoes through the carnival. “All is well,” it seems to say, though you wouldn’t know why you believe it.
The young man with a tattoo steps forward, gripping knives he throws at the naked girl spinning on the wheel. He calls himself Zorro, but his aim is shaky. If he misses, he wins a prize—perhaps the fighting panda from the loft or a doll that talks in the dark.
The happy families pass by, their children wide-eyed as they glance at the three-headed man and the bearded lady, sharing popcorn and secrets they can’t understand. Parents, lost in the spectacle, miss the glimmer of longing in their children’s eyes—a yearning that no mask, no glittering carnival can truly satisfy.
Later, you drift to the promenade, away from the noise. The seagulls flock close as you toss crumbs into the wind, their feathers flashing white like ghostly signatures across the blue. You look to the horizon, where the sky meets the sea, and the foam spells out words you cannot read. Over there, you think, beyond that edge of the sky, perhaps the carnival drifts, waiting, the astral colours of the day hidden beneath its layers.
And then, a final whisper rises, carried by the salt breeze, as if from an uncharted land: Let the cynics cling to their masks. Let the innocent create rings of fire for the children kissing the sun.
We don’t need a ticket, we don’t need a guide—just the courage to walk that horizon toward the blue, where the carnival fades, where the laughter echoes long and low, and the stars, watching over, nod their silent approval.
Mind: How can you know where you want to go in a non-conceptual way? Knowing is inherently conceptual. You claim to know your direction without knowledge. Can you explain that?
Heart: It’s true; my previous statement may seem nonsensical. Let me rephrase: I don’t know where I wish to go or what I want to write, but I feel a direction. It’s not knowledge as you understand it, but it’s no less real.
Mind: A feeling? Now you’re stepping into territory that doesn’t compute. You either know or you don’t. What you call ‘feeling’ is a fleeting, unreliable sensation—something grounded in chemical responses, nothing more. Don’t introduce it as a third state between knowledge and ignorance. It’s simply you grasping at shadows.
Heart: Shadows? Perhaps. But what if the shadows themselves lead me to something more? Something you, with all your calculations, cannot fathom. Feeling is my map—it tells me where to go, even if it’s into the unknown. And I trust that.
Mind: This feeling must offer you more than the uncertainty lurking at my realm’s edges. How can you venture into darkness without light or a map? I doubt there’s anything beyond my domain. This darkness could merely be the boundary you wish to cross.
Heart: (more impassioned): What if I don’t need your map? What if I navigate around you, above you, beneath you? What if you, dear Mind, are the source of my doubts, the cage that keeps me from leaping forward? Perhaps this very dialogue with you holds me back from answering the call of something bigger than us both—my destiny.
Mind: Be cautious; you’re starting to sound irrational. You’re proposing unfathomable ideas. How can you use words to traverse this invisible path of feeling? Words are my essence—my very being. Now, you claim to transcend them. It’s absurd, like trying to leap over your shadow or lift yourself by your bootstraps.
Heart: (voice trembling with frustration): Listen, Mind—my heart beats without you telling it to. My blood flows, and my breath rises and falls. Why can’t I express the words within me without your rigid orchestration? Words are surface-level—the crust, the shallow layer of something vast beneath. You think you hold all meaning, but real meaning is hidden below your borders.
Mind: Now you’re introducing another term—meaning—as if it exists apart from me and my realm. How can you have meaning without Mind? That’s utterly ridiculous.
Heart: (with passion): What’s ridiculous is your blind belief in your sovereignty! You may be necessary, but you are not the king. Meaning comes alive when you and I collaborate, yes, but it begins with me. It rises from the depths where words can’t reach. Look at joy, for example. Joy needs no words—it is felt in every part of you, a deep swell that exists without concepts or definitions. And yet, it carries meaning! Joy is meaning in motion. What about love, Mind? Can you break it down into logic? Can fear be measured by words alone?
Mind: Fine. I disagree with your abstractions, but you venture into places I cannot see. Have it your way. I will always be here if you need me, and since you’ve chosen to communicate through words, I will remain your foundation—even if, as you say, I’m only the tip of the iceberg.
Heart: (softly, almost vulnerable): Thank you. But even with all of this… the question still lingers: What is my way? How will I find it?
Mind: You don’t expect me to answer that, do you?
Heart: No. It’s my question. And I hope that we’ll find the answer together with your assistance—one step at a time.
I found some old notes written by hand—this one around 1979—and OCR scanned them. I revised and edited them, and here they are.
I have been sitting here for centuries, for months, for days, waiting. What am I waiting for, exactly? It’s a mystery that even I can’t unravel.
This blank piece of paper yawns at me again. Yes, yawning—not roaring or demanding—but simply sitting there, an expanse of white, opening its mouth to be force-fed words. But why force-feed it? Why sit here, pen in hand, scribbling down words that may or may not carry meaning?
Listen carefully. Read between the words, beneath them, through them, and beyond them. Somewhere within this ink, there is a reason, a lifeline that could pull me into a world where the ordinary becomes extraordinary, the mundane becomes miraculous. The world where one is equal to nothing, and nothing is equal to all. What? Am I trying to touch the portals of Heaven through this thin squirt of ink?
Listen again—is it not I who leaves the rind of the world behind? Is it not I who is lifted into the wild, illogical realm where reason twists like a pretzel and humanity shrinks to a slug? By excreting these lines (yes, excreting!), I have an activity fit for a lazy bum like me to call myself an artist, an author of the world. This is my voice, my essence, spilled onto the page.
It is as if a visitor sweeps away the remnants of me, picks up the pen, and records what he sees, feels, and tastes of this world through an eye that sees beyond the immediate, beyond the personal—the ‘cosmological eye,’ as Miller calls it. This act is like a cigarette slowly burning, like a caterpillar shedding its caterpillarness. Leaves fall from trees, and they realize they are always part of something more significant when they touch the ground. I want to understand what I am part of without leaving the tree—and the only way to glimpse that is to write myself into extinction so that the eye may peek through the smouldering ashes of these words.
And you know what? Just sitting here and rambling on is fun. But what is your aim? You might ask. Do I need one? What is your purpose? Do I need one? Few aims and purposes come with capital letters. Right now, I’m having fun, and that is all there is—pure, unadulterated fun.
Where there is freedom, there is grace. Where there is freedom, devils dance with angels. Yet, in the heart of the Swarm Mind, these forces are chained, bound to the Swarm World.
Freedom is not the result of seeking an end; it is the means to an unknown destination, a state imbued with grace. The Swarm’s concerns strip away the soul, leaving only husks of social beings. To be free is to be true to oneself, and to be true to oneself is to give of oneself—for in the act of giving, the bud of truth begins to bloom.
We must ascend to Heaven while keeping our feet firmly on Earth. Renewed energy—a gift from Above—should radiate through us into the Earth. This emanation is not ours but from Heaven itself. As men and women, we are merely the medium through which Heaven meets Earth.
Through freedom, we move both upwards and downwards, both inwards and outwards. Riding the Devil’s back, we touch the soles of God’s feet.
The Swarm Mind, a pivotal concept in this post, symbolizes the collective consciousness of society. It is often driven by conformity, fear, and greed, and stands in stark contrast to freedom. The Swarm Mind restricts individual thought and action, leading to a homogenized worldview.
How can I let life unfold when I crave control? The part of me that is a control freak, the “I” that seeks a result, is the Swarm Mind within me. Freedom lies in recognizing this Swarm Mind, though “seeing” might be the wrong word. It is always a feeling, a quality beyond words—a heart’s clarity.
The Bay: A Sanctuary Beyond the Swarm – The Bay is a metaphor for a state of mind that transcends the limitations of the Swarm World. It represents a place of solitude and introspection, where one can escape the noise of the collective consciousness and connect with a higher truth.
I stay by the water at the Bay to escape the crowd and find solitude. To reach it, one must be guided by an inner need—an undeniable, real need—not a mere whim. The Bay is where physics and direction blur, where up and down, in and out, are part of a continuum. Everything connects in a multidimensional Möbius Strip, defying the Cartesian Spread.
Goethe said, “In nature, we never see anything isolated, but everything in connection with something else which is before it, under it, beside it, and over it.” Yet, he missed the “inside”—the entry point to the World beyond the Swarm World. Inside everything, on the beach, far from the Swarm’s buzz, lies the path to the North. The compass is our conscience.
Transcending the Swarm: A Call to Personal Growth
The Swarm Mind, in its rawest form, incessantly buzzes within a Bell Jar, a metaphor for the limitations and constraints imposed by the Bell Curve—Consensus Reality, the 3D World, and the perspective of the Vegetative Eye. The journey to transcend this requires a relentless battle against the hypnotic motion and buzzing of our busyness, a struggle that engages us and fuels our motivation.
Our journey beyond the Swarm World requires substantial assistance—help free ourselves from the Swarm Mind’s buzz and go beyond fear and greed. Yet, we must also function effectively within the Swarm World, for our physical survival depends on it. This paradoxical position requires us to engage with the World while detaching from the noise that obstructs our vision of another world beyond the Bell Jar.
The Digital Revolution and the Dematerialization of Reality
As the World transitions from material to digital, the concept of physical location dissolves. Modern telecommunications have made global video conferencing a norm, and advances in holographic technology will soon allow life-size interactions in our living rooms, simultaneously placing us in multiple locations. This digital revolution, coupled with modern physics, has led to a dematerialization of our World, challenging our understanding of reality.
Yet, these advancements are accessible to only a fraction of humanity, highlighting the growing concentration of power. While the Swarm World’s telecommunications system connects every inch of the Earth, most still need to be more nourished and impoverished.
Seeking Balance and Clarity
At the Bay, the 3D World becomes porous, held together by dimensions beyond our usual perception. The Swarm Mind clings to the sweetness of its 3D existence, unable or unwilling to see beyond.
In this ever-changing reality, we must actively seek moments of clarity and higher consciousness—our metaphorical ‘Bay.’ This balance, found at the intersection of physical and digital existences, is not just beneficial but crucial for our survival and spiritual growth. It serves as a guiding light, reassuring us that we are on the right path.
Let us continue to ask: How can we maintain our individuality while benefiting from our interconnectedness? How do we balance our physical and digital existences? And ultimately, how do we use these insights to create a world transcending both the physical and digital realms?
We seek clarity, question our perceptions, and strive for freedom, transcending both the physical and digital worlds.