Ink and Invitation

October 31, 2025

“We call things into being long before we realise what we have invited.”

Some people will say I’m strange for noticing this — but lately I’ve been unsettled by how many walk the streets carrying death and darkness on their skin.
Skulls grinning from shoulders.
Demons curled along arms.
Faces twisted in torment inked into chests and backs.

They remind me of some very bad acid trips I had in the early 1970s — when the veil tore too far, and I didn’t know how to close it again.

People say, “It’s just art.”
But I’ve lived long enough to know symbols aren’t neutral.
They call. They invite. They open doors.

I’m always reminded, when I see rebellious young Greeks covered in tattoos, that in ancient Greece these stigmata were not marks of identity or defiance.
They were punishments — burned or cut into criminals, slaves, and prisoners of war. A permanent sign of ownership — of being claimed.
Our ancestors believed that what was carved into the skin also carved its meaning into the soul.

For thousands of years, humans carried symbols for blessing — crosses, icons, beads, prayers folded into pockets, saints’ names whispered under breath.
We understood that what we placed close to the body had power.
We understood to be careful.

I carry a cross given to me by my mother when I was a child.
She told me it held a tiny splinter of the real cross Jesus was crucified on.
She warned me never to open the locket because the splinter was so fine my breath might blow it away.
So I never opened it.
And I wear it every day.

People ask if I was never curious.
But if it was real — and I breathed it away — what then?

Wearing a cross around the neck is not the same as inscribing a cross into the skin.

I’m not judging anyone.
I’ve walked my own shadowed paths.
I know what it is to open a door without realising what enters with it.
So when I say these images feel like invitations to something dark — I say it softly, from remembering, not from any desire to be right.

Some will disagree. Some will shake their heads.
That’s fine.

But I won’t place an image alongside these words.
I have no wish to give those symbols more room than they already take.
To show them would be to help them travel.

So I speak quietly here, without pictures:

There are forces we forget at our own cost.
And disbelief does not protect us from what we call forth.

No argument here — only a feeling I could not ignore.

That is all.


My Lady of the Earth: A Tale of Renewal and Time

November 12, 2024

In the heart of a forgotten desert, a lone figure trudged down a cracked highway, each step scraping against the sun-scorched asphalt as if metal clanked against stone. His feet felt like tin cans, hollow and beaten, dragging his weary body forward as he clutched an old glass bowl—its only inhabitant a sliver of something ancient and alive, a glint of Time itself suspended in water. His arms ached, heavy and empty, as though they’d died long before, holding nothing but the fragile keepsake of ages past.

But just as his strength waned, there was a shift. She appeared as if conjured from the dust itself: My Lady of the Earth, the Sun’s seventh Queen. With a graceful lift of her arms, she raised him above the smoke, the Screen of all that clouded and concealed. Her touch was unlike anything he’d known, reaching through the rusting paths of his veins, setting them aglow with purpose. In her embrace, he felt something long lost—a feeling like Home, a warmth too timeless to describe.

He looked upon her as her veil began to dissolve. Beneath it, her face bore the quiet strength of mountains, still and unyielding, forever patient. From her eyes spilt silver brooks, flowing over her cheeks without urgency, slipping past with a gentleness that defied the chaotic world below. The brooks whispered of hidden peace, where Madonnas rested in perfect balance, and saints lay quiet in their coffins, untouched by mortal turmoil. Shadows of the powerful faded here, hollow ambitions dissipating like smoke. Even the rooster—herald of dawn and disturbance—lay silent in her presence as if Time paused.

She was both familiar and fierce, the Only Child of Passion and Earth’s eternal heartbeat. Winds swept through the dust, weaving through her form, rooting into her flesh, and carrying the age-old whispers of forgotten stars with them. Her body, raw and untamed, glistened in the light of the Sun, bound to it yet free, dancing in an endless circle of life and death, decay and rebirth.

With a flick of her golden feet, she nudged the Moon, sending it into an orbit known only to the wise and the wild, beckoning all with a silent proclamation. The man held his breath, feeling the weight of her gesture, her assurance—this was no end but the beginning, an age reborn. And as he stared into her eyes, he understood: he was no longer lost in the desert. He had been brought back to her, the soul of his journey entwined with the spirit of the Earth, who whispered to him that, like her, he too was eternal.


Words of Wisdom from Kurt Vonnegut about Creative Expression.

March 18, 2023


“Creativity: The Soul’s Footprint”

January 30, 2023

Creativity, like an ethereal dance upon shifting sands, leaves behind the footprints of the soul. Without the presence of a soul, those footprints fade, dissolving into glitter and fleeting flashes of light. It is within the realm of art that these footprints find their true expression, manifesting as a testament to the depths of human existence.

True art emerges when the drive to create is fueled by an inner necessity—a relentless longing to give form to the intangible, to weave meaning from the threads of emotion and experience. It is this inherent compulsion that sets art apart, for it transcends mere aesthetics and becomes a profound reflection of the artist’s innermost being.

Poetics, the study of soul graphics, unravels the intricacies of this creative journey. It delves beyond the surface, exploring the vast depths of meaning that lie beneath the scribbles and strokes. The significance of art does not end with its immediate interpretation; instead, it invites us to embark on a poetic voyage, where each line and curve unravels a story yet to be fully grasped.

In a world obsessed with quantifiable measures, why should a reality defined by liters and meters be deemed more real than one measured in sighs and tears? The richness of human experience defies numerical constraints, extending far beyond the boundaries of empirical observation. Art, in all its forms, offers a sanctuary where the immeasurable finds a voice, and emotions are given shape and color.

Just as a bouncer at a nightclub selects who enters, words possess a similar power. They can choose their own context, finding resonance in specific realms of expression. Yet, it is not the grandiosity of vocabulary that defines true creativity. Rather, it is the sincere interplay of thoughts, emotions, and words that grants depth and meaning to artistic endeavors.

Creativity, at its core, is a testament to the intricate workings of the human spirit. It defies conventions and boundaries, unveiling new perspectives and possibilities. In the realm of art, the footprints of the soul take shape, leaving an indelible mark upon the tapestry of existence.

So let us celebrate creativity in all its forms, for it breathes life into our world, sparking inspiration and igniting the flames of imagination. May we embrace the study of soul graphics, venturing beyond the confines of the mundane. And in doing so, may we recognize the profound truth that lies within each stroke, each word, and each creation—an eternal testament to the beauty and depth of the human experience.


My Grandkids’ Art Over the Years

February 17, 2021

Here are some drawings and art work my grandkids have made over the last few years. There’s some art of my kids too, though not much because the camera phone wasn’t around then. My kids’ art is taken from screenshots of a video I took many years ago.

There’s no age categories here – just stuff the kids made. There’s no particular order. Some have their names written on them, most don’t.


Portrait

February 20, 2009

Stavros - portrait by John Bell

Stavros , 1974  – portrait by John Bell